MILOŠ – the superstar musician who has led today’s classical guitar revival, begins a new era in his exceptional career with a debut album for Sony Classical. Titled simply Baroque, the album presents MILOŠ’ carefully curated selection of baroque works especially transcribed and arranged for the guitar, both solo and in collaboration with Jonathan Cohen and his ensemble ‘Arcangelo’. Baroque will be released internationally on Sony Classical on 13 October 2023 on CD and Digital formats.
The first single, Adagio from Alessandro Marcello’s much-loved “Oboe Concerto in D Minor” is out today.
Since his incredible breakthrough in 2011, when his debut album held the no. 1 position in the UK Classical charts for a breathtaking 28 weeks, MILOŠ has built an impressive international career by performing solo recitals and concertos at most of the world’s leading concert venues. His six studio albums have sold the equivalent of over half a million copies and conquered the classical album charts in multiple territories, earning him a Classical BRIT, Echo Klassik and two Gramophone Awards. Not to mention worldwide critical acclaim, BBC Music Magazine included him in “Six of the Best Classical Guitarists of the Past Century” and The New York Times cited him as “one of the most exciting and communicative classical guitarists today.” His wide variety of musical influences and repertoire, ranging from baroque to contemporary music, via the Beatles and beyond, has helped MILOŠ build a loyal international fanbase and introduce his instrument to a whole new generation of listeners. His long list of musical collaborators ranges from Yannick Nézet-Séguin, Lisa Batiashvili, Alison Balsom, and Jess Gillam, to Tori Amos, Gregory Porter and Anoushka Shankar. He was the first-ever classical guitarist to perform a sold-out solo show at the Royal Albert Hall, where he returned last summer playing to a capacity audience. He has presented on both BBC and Sky TV and has his own series of educational books “Play Guitar with Miloš” published by Schott Music. He recently launched the “Miloš Karadaglić Foundation”- based in Porto Montenegro – this philanthropic organisation aims to act as a regional hub of influence by empowering artistic excellence though various educational opportunities, partnership and close mentorship.
Baroque heralds a new milestone in MILOŠ’ career. “Since the very beginning of my life as a musician, I have been deeply inspired by the incredible variety and electrifying energy of the baroque repertoire. This golden era of music is mysterious and extraordinary, flamboyant, often endlessly lyrical, ultimately timeless. And yet within the classical guitar context, apart from J.S. Bach, I believe we have only ever managed to touch the surface. This very thought inspired me to, over the years, try and dig deeper, go beyond the obvious, experiment, collaborate and transcribe, to open a new door of possibilities for my instrument and its own baroque voice”.
MILOŠ’s own transcription of Bach’s monumental Chaconne sits at the heart of this recording, anchoring the richly varied constellation of baroque composers’ masterpieces. MILOŠ particularly wanted to present the guitar across a wide range of European influences, and not merely within the more familiar Spanish context. He has selected luminescent works by nine composers here, the majority of which have never been played on solo guitar before.
There is plenty of light and shade within the music, reflecting baroque’s unique chiaroscuro character. Works such as Alessandro Marcello’s Adagio from Oboe Concerto in D Minor; Domenico Scarlatti’s Sonata in D minor; the Menuet from George Frideric Handel’s Suite in B-Flat Major; Jean-Philippe Rameau’s The Arts and the Hours or François Couperin’s Les Barricades mystérieuses offer more introspective moments, while Antonio Vivaldi’s movements from La Notte and L’estro Armonico, originally written as a concerto for 4 violins, or indeed Boccherini’s Fandango from Quintet No. 4 in D Major provide fireworks of thrilling virtuosity.
MILOŠ worked very closely with Jonathan Cohen on all the orchestral transcriptions, as well as with Michael Lewin, the eminent British guitarist and lutenist with whom he studied at the Royal Academy of Music in London and with whom he now shares a wonderful creative collaboration.
“Everything I have learned and experienced in my musical life so far, all the influences and various musical traditions, converge in this album” says MILOŠ. “I wanted to convey a new vision of baroque here, with all the variety of style and texture, while preserving the innate intimacy and typical beauty of the guitar sound.”
While for MILOŠ one creative circle closes with the release of this album, Baroque ultimately serves as the foundation of a brand-new era in this artist’s already extraordinary career.
MILOŠ will perform works from Baroque at the Carnegie Hall, New York in November this year, before embarking on a UK tour with Jonathan Cohen and Arcangelo in January 2024, followed by the North American tour in Spring 2024 with ‘Les Violons Du Roy’.